Museum and archive collections are, in their very nature, eclectic. They often have roots in one person’s fascination with the past and they develop and grow much like a tree putting out roots. They are often dependent on donations, and collecting policies within museums are developed to provide some structure to this form of collecting, making sure that very valuable storage space is used to advantage and the best are represented. It is not that often that choices can be made by museum and archive staff about what to purchase, what gaps to fill and who to represent.
The Heritage Lottery Funded Creative Wiltshire project has aimed to facilitate just that. With a carefully prepared bid back in 2014 we were successful in achieving funding to add to some of our Wiltshire collections and with careful consideration we have purchased items that aim to fill gaps, often representing a new creator with a strong Wiltshire connection. We are now reaching the end of this project and our final exhibition at Salisbury Museum will show off some of our recent purchases.
This project is not just about the purchases, it is also about offering training and development to volunteers and staff associated with museums within the county, as well as education workshops, a tool kit for teachers and other events in the wider community. The exhibition at Salisbury Museum has provided a perfect opportunity to put an ‘Exhibitions Assistant Trainee’ in place, to plan, oversee and install the final exhibition with the support of the Salisbury Museum Director, Adrian Green and his team. Thank you to Emily Smith, our successful applicant, who has been able to gain great ‘hands on’ experience of all aspects of exhibition work within a museum context. We gave her a tough brief; expecting planning, curation, exhibition design, mounting of work, co-ordinating staff, borrowing and transferring of objects required from around the county and she has had a busy four months putting this in place. We thank you for your enthusiasm and we are thrilled with the results. The exhibition at Salisbury Museum has now been extended to 29th September 2019; why not pop in and see what you think? You will find work by Rex and Laurence Whistler, Howard Phipps, Nancy Nicholson, Nick Andrew, Jonathan Wylder and Wilfred Gabriel de Glehn, amongst others.
During the course of the project other exhibitions have been held at Swindon Museum and Art Gallery and Chippenham Museum and both have focused on recent acquisitions to their collections. Sophie Cummings of Swindon Museum and Art Gallery says the project has exceeded her expectations and allowed them to purchase pieces by Ken White, previously un-represented in their collection, as well as fine art by Joe Tilson, Harold Dearden, David Bent and Janet Boulton and ceramics by Katherine Pleydell-Bouverie, Patricia Volk and Sasha Wardell.
The current exhibitions at Swindon Museum and Art Gallery are well worth a visit.
An Art of the People – Ramsbury & Cricklade Potteries features work by Ivan and Kay Martin of Cricklade, and Peter Holdsworth of Ramsbury.
Out of the Box: An exhibition of paintings by David Bent
An exhibition of work by David Bent which includes geometric landscapes, intricate photographic collages and paintings as well as his aviation art and “Movement 2000” series. Stunning and inspiring work by this Swindon based artist.
For my blog on Lacock this time I want to look at a bundle of documents only recently discovered in the Lacock archive, during my listing of some final boxes. The documents concern the 200th anniversary of the commemoration of the Great Hall in Lacock, which was rebuilt by John Ivory Talbot, the owner of Lacock at that time.
Talbot and the architect Sanderson Miller designed the Great Hall in a Gothic style and anyone who has been to Lacock will vividly remember the prowess of the room, with its great high ceilings, coats of arms decorating the ceiling, and breathtaking sculptures adorning the walls. Outside, Talbot built some grand steps.
In 1755, Talbot invited the friends whose coats of arms he had had put on the new ceiling to a commemoration event at Lacock Abbey to celebrate the completion of the work. Talbot invited 40 of his friends and neighbours to the event. An article in the Wiltshire Times 200 years later said that the emblazoning of the coats of arms “was most original, and a graceful compliment to his neighbours”. Whilst many sceptics would say that it was a way of really getting in with the local nobility, it is clear that Talbot himself was a high-standing member of the community and I’d like to think that his neighbours were pleased to be represented on that ceiling. The party brought together the local nobility and must have been a very grand event – if it happened. Unfortunately only a letter suggesting the possibility of an event was found, not any documents confirming that it had taken place.
200 years later, the final owner of Lacock Abbey before its presentation to the National Trust, Matilda Talbot, decided to host an anniversary event to commemorate the commemoration, and her intention was to recreate the event of 200 years earlier, by inviting representatives of those friends and neighbours of Matilda’s ancestor to the party. Although Matilda no longer owned the abbey, she continued to live there from 1944 until her death in 1956. Members of her family, the Burnett-Brown family who were descendants of her brother William, were living at the abbey as well and they also attended the event. The family and some acquaintances did some tireless research to find representatives of the 1755 party. Peter Summers of the Kingswood School did most of the research, which involved firstly trying to work out who some of the coats of arms on the ceiling were for anyway, and then painstakingly tracing their descendants down to the family member who appeared to be their most ideal representative. Those representatives were then invited to the commemoration event.