(With apologies to my colleague, Neil Adam, for stealing the title from his blog article)
Hello everyone, my name is Tim Havard and I am the new Assistant County Archaeologist for Wiltshire, a role I began in early August 2021.
I have always been fascinated by history and archaeology. I grew up on a small farm in south Worcestershire almost at the foot of Bredon Hill (an outlier of the Cotswolds). I’m sure that some are aware of the spectacular Iron Age hillfort on top of the hill but I was a frequent visitor here in my youth when my little legs would carry me up the long walk to the top. I spent many happy hours running up and down the banks and ditches here pretending to be an Iron Age warrior.
Much like many hillforts of Wiltshire, a simple photo cannot do justice to how spectacular the site is. The only way to truly appreciate the setting and views afforded is to visit it on foot. There is a large stone at the top of the hill known locally as The Elephant Stone and legend has it that if you walk three times around the stone then you will be cured of any illness!
Whilst living on the farm my interest in archaeology would manifest itself in the form of digging random holes in the ground to see what I could find. My father and grandfather were a little less enthusiastic about my endeavours than I was at the time. They were probably quite happy therefore when I went to Southampton University to study archaeology which I chose over history as it would afford me chances to get out of the lecture theatre.
Following university I worked for a small archaeology unit outside Southampton and then moved to Cotswold Archaeology where I worked for 22 years. This gave me the opportunity to work on many sites in Wiltshire and see some fantastic and rewarding archaeology. Among my fondest memories of fieldwork undertaken in Wiltshire have been a small evaluation trench unexpectedly full of Saxon features, a test trench to investigate the prehistoric and medieval defences of Malmesbury and a watching brief in the shadow of Malmesbury Abbey. However, the highlight of my fieldwork in Wiltshire was undoubtedly the direction a large scale excavation of a multi period site at Wroughton, on the site of the former airfield, in 2018 and 2019 with archaeology ranging in date from the Bronze Age through to World War Two.
Following on from the evaluation, the first feature uncovered was a prehistoric pit alignment.
As the stripped area was extended, further evidence for intensive Iron Age occupation in the form of roundhouses and numerous storage pits were uncovered. The western half of a huge ring ditch, possibly denoting a henge was found. The site was also occupied in the Roman period; a cemetery of 14 burials and a drying oven belonging to this period were recorded.
The site was one of the most rewarding of my fieldwork career. It was not without its challenges though; a wide open airfield site in January and February was particularly inclement; at times the wind was so strong it was not safe to work on site.
I thought I would take this opportunity to introduce myself. My name is Anne Carney and I took on the role of Stonehenge and Avebury World Heritage Site Partnership Manager in December 2020.
A little bit about me. I grew up in Northern Ireland during the troubles and I have now lived longer in England than in Ireland. I spent a large part of my childhood in Downpatrick surrounded by a range of historic sites which I must admit I took for granted at the time.
Some sites, such as Saul Church and Struell Wells are associated with St Patrick who came to this part of Ireland in 432 A.D. For me, however, the more memorable sites are the megalithic tombs, standing stones and the stone circles that litter the landscape. My dad didn’t seem to get much time off work but I remember that he always took my sister and me to one of these sites for a picnic each Easter. My favourite was the stone circle at Ballynoe. This could, of course, have been because my sister and I got to eat our Easter eggs in amongst the stones! To reach the stone circle you had to walk along a magical sunken lane, which in my young mind fairies lived and I still remember the sense of wonder I felt coming out of the green tunnel into the field with the stones. I also remember being annoyed that my dad (whom I thought knew everything) didn’t know who put the stones there or why. It would be some years before I would find out more about these types of monuments.
This week is #MuseumWeek – a worldwide festival for cultural institutions on social media. So it seems a perfect time to talk about some of the amazing museums that can be found across Wiltshire. Whatever your interests - from archaeology to transport to modern art - you will find something that appeals and inspires.
Like many other spaces, museums have been closed for much of the last year due to the pandemic. They are now able to re-open and have been looking forward to welcoming back the public once again, having made all the necessary arrangements to ensure a safe and enjoyable visit following the latest national lockdown. You can find out more information about museums in the county by visiting the Museum in Wiltshire website.
There are so many great museums it’s difficult to know where to kick off, so to quote The Sound of Music, ‘let’s start at the very beginning, a very good place to start’ by looking at some of the earliest objects from Wiltshire.
To find out about more about Wiltshire’s prehistory, you can’t beat Wiltshire Museum, Devizes and Salisbury Museum. Both are home to collections designated as having national or international importance, which tell the story of Wiltshire over the last 500,000 years.
Wiltshire Museum has beautiful gold items from the time of Stonehenge, some of my other favourites items on display are these exquisitely worked bronze age arrowheads.
Salisbury Museum’s award-winning Wessex Gallery includes the Amesbury Archer and finds from Stonehenge.
“Now thus much without vanity may be asserted of the subject, that if all persons, both Ladies, much more Gentlemen, would spend some of their time in Journeys to visit their native Land, and be curious to Inform themselves and make observations of the pleasant prospects, good buildings, different produces and manufactures of each place, with the variety of sports and recreations they are adapt to, would be a souvereign remedy to cure or preserve from these Epidemic diseases of vapours, should I add Laziness? – it would also form such an Idea of England, add much to its Glory and Esteem in our minds and cure the evil Itch of overvalueing foreign parts..”
So begins the work of Celia Fiennes published as “Through England on a Side Saddle in the time of William and Mary” by her descendant Emily Griffiths in 1888. Celia Fiennes was born in Newton Tony, Wiltshire on the 7 June 1662 and died on 10 April 1741 in Hackney aged 78, buried on the 17th April in Newton Tony. She was one of England’s first female travellers and was unusual for her time in travelling the length and breadth of the country on horseback with only one or two servants for company.
She was born to Nathaniel Fiennes, a Parliamentarian colonel during the civil war and politician, and his second wife, Frances Whitehead. Celia spent most of her younger years in Newton Tony, living at the manor house on the west side of the High Street. The house was largely demolished in the early 19th century but its kitchen later became part of the Three Horse Shoes. Her parents were non-conformist and a group of Presbyterians met at their house, and in 1672 the house was certified for Presbyterian meetings.
Celia Fiennes mostly travelled during the period 1684-1703 but continued intermittently until 1712. Her earlier journeys were predominatly in the south, including to Salisbury, Bath and Stonehenge. In 1697 she travelled in the north and then in 1698 undertook her Great Journey travelling to Newcastle, the Lake District, Durham to the South-west Gloucester, Bristol and Cornwall (to Land’s End).
Remarkably, her travels emcompassed every county in England 100 years before the Stagecoach. She travelled sidesaddle on horseback, with only one or two servants staying in inns and sometimes in the country houses of her connections (often seeing these buildings in stages of construction). She wrote notes as she travelled and eventually wrote them all up into a memoir in 1702, originally intended only for family reading. Her explorations began as a way for her ‘to regain my health by variety and change of aire and exercise’ but her notes demonstrate she had a keen interest in the places she visited. She had a particular interest in mining and industry and also often remarks on the local food she eats, the roads she travelled on and the houses she stayed in: a valuable source for historians! Through her words we get a glimpse of 17th century everyday life. We might never have thought about what it would be like to travel the country without signposts but she highlights them as a notable feature remarking on ‘posts and hands pointing to each road with the names of the great towns or market towns that it leads to’.
Her travels in Wiltshire and its locality prove interesting reading. You can probably guess where she is referring to with this statement, visiting around 1690: ‘This… is reckon'd one of the wonders of England how such prodigeous stone should be brought there, as no such Stone is seen in ye Country nearer than 20 mile.’ If you guessed Stonehenge you are correct!
Sophie Hawke, Finds Liaison Officer for Wiltshire:
Hello, I am the new Finds Liaison Officer for Wiltshire, job sharing with Wil Partridge at The Salisbury Museum. I started in my new role at the beginning of January but have only managed three days in the office so far, due to Covid lockdown restrictions.
Like Wil, I have been working from home. This is a bonus in some ways as it’s warmer at home than in the office (we are situated directly above the medieval porch at work so any heat rises up to the ceiling and stays there) and my travel time to work is currently ten seconds as opposed to an hour. On the down side, I have to tidy up before any Zoom calls and hope that no-one rings the doorbell whilst I’m unmuted on Zoom as my dogs will bark incessantly at the bell.
I have always been fascinated by archaeology. I joined the Young Archaeologists’ Club in Dorchester, Dorset aged 10 (a long time ago), then went on my first dig aged 11, at Dewlish Roman villa. I was hooked!
Fast forward a few years, I studied at University of Bristol for a Certificate in Archaeology with Mick Aston as my tutor, started a family, did an Open University degree, then immediately returned to Bristol Uni, with Mick as one of my lecturers, for a part time MA in Landscape Archaeology.
During all this, I started work at a secondary school and stayed for 15 years, as part of my role there was (and still is in a voluntary capacity) as Archaeology Liaison Officer for the Roman villa under the School playing field. In 2018, I was awarded a Headley Trust internship with the Portable Antiquities Scheme at The Salisbury Museum, and Historic England. Following this I worked for Historic England as a Finds Supervisor and just before Christmas 2020, I was offered this Wiltshire FLO job. I love working with finds, meeting people and doing research so this is my dream job! My favourite find to date is a hoard of Roman pewter found near Westbury. When the finder sent photos of it, Wil and I couldn’t believe our eyes as it contained a lead tank (see photo below), quite a rare find, which may be a portable font.
It’s that time of year when the first emails land in my inbox requesting placements on the History Centre’s popular work experience (WEX) programme.
This year it is a little different – those early requests are arriving, but students are now looking for Virtual WEX!
In my blog from March 2020 – Celebrating Archives – I was eagerly anticipating a year of anniversaries, the highlights of which were to be Salisbury’s 800th birthday and the 200th anniversary of Florence Nightingale’s birth. Events were planned, projects finalised, and we had an excuse, though none is ever really needed, to dig out some of our archival treasures that show just how connected Wiltshire is to key moments of national commemoration. And letters from Florence Nightingale would have featured in the work experience programme.
And then… the World Health Organisation declared the COVID-19 outbreak a pandemic. All certainty about future events rapidly disappeared as History Centre staff joined colleagues from across Wiltshire Council in responding to the crisis. While statutory services at the History Centre had to be maintained our usual talks and courses were cancelled; we had to close during lockdowns; our regular jaunts around the county to speak to community groups and history societies ended; and as education officer there were no school visits to plan or deliver, and no work placements to organise.
It was clear we needed to transfer what we could online, and I found myself working with colleagues from Libraries and Leisure to create resources that gave Wiltshire residents virtual opportunities to enjoy heritage, arts, literature and physical activities. The result was the Active Communities page on the Wiltshire Council website – a great resource which will hopefully have a legacy post-pandemic.
I also found myself co-ordinating the History Centre’s online presence. Colleagues, missing out on the daily rhythm of dealing with enquiries and customers, turned their energies to our website and social media platforms. They kept regular users updated and entertained, and engaged with new followers. And the hard work has paid off as we see more users, followers, likes and engagements with our various social media accounts.
Necessity drove us online in 2020 providing many challenges, but now there are opportunities in 2021, opportunities the History Centre wants to exploit. Virtual Work Experience is one of those. There will always be a need for real world, physical engagement with archives and books, photographs, painting and sculpture, artefacts and objects, not to mention being in the audience for a live theatre or musical performance. But while we wait for the time when we can return to in-person talks, courses and classroom sessions we need to make the most of the technology available.
I am working on developing a virtual work experience programme for GCSE and A-level students. Our work placements are always popular and each year we are fully booked, but we are limited in how many students we can take – normally two GCSE students in any given week and a couple of Year 12 A-level students. Geography and public transport also play a part and, while I provide a county-wide heritage education service, WEX students tend to come from Chippenham and the surrounding area.
The plan is to use an online classroom platform to deliver Virtual WEX. This has the potential to significantly increase the number of students the History Centre can reach, extending coverage to the whole of Wiltshire and Swindon, and beyond. I will always champion in-person placements and visits to the History Centre to really get hands-on with historical documents – there is a thrill to seeing and touching a document signed by Charles I or Oliver Cromwell or, having learned about Henry VIII in school, holding the marriage contract between Henry and Jane Seymour. But as an advocate for cultural education, online sessions are a valuable tool in reaching and inspiring young minds. And while students will not be able to handle the documents in a virtual session they will still be able to see them and work with them.
A key aspect of our work placement programme is the breadth of experience students enjoy, not only working with archives and local studies collections, but also learning about the work of the conservators and archaeologists based at the History Centre. It is also satisfying to see the students grow in confidence over the course of their week with us and to hear back from schools about the positive impact the placement has had on the youngsters.
We hope that those who see what we do via an online taster day will be in-person users of our services in the months and years to come. This opening up of access also supports the History Centre’s commitment to inclusion and diversity, not only as part of Wiltshire Council but also within the Archives sector.
WEX 2021 won’t be the same as previous years but we hope a virtual experience will give young people an opportunity to see what enjoyable and rewarding careers can be had in the heritage sector.