This week is #MuseumWeek – a worldwide festival for cultural institutions on social media. So it seems a perfect time to talk about some of the amazing museums that can be found across Wiltshire. Whatever your interests - from archaeology to transport to modern art - you will find something that appeals and inspires.
Like many other spaces, museums have been closed for much of the last year due to the pandemic. They are now able to re-open and have been looking forward to welcoming back the public once again, having made all the necessary arrangements to ensure a safe and enjoyable visit following the latest national lockdown. You can find out more information about museums in the county by visiting the Museum in Wiltshire website.
There are so many great museums it’s difficult to know where to kick off, so to quote The Sound of Music, ‘let’s start at the very beginning, a very good place to start’ by looking at some of the earliest objects from Wiltshire.
To find out about more about Wiltshire’s prehistory, you can’t beat Wiltshire Museum, Devizes and Salisbury Museum. Both are home to collections designated as having national or international importance, which tell the story of Wiltshire over the last 500,000 years.
Wiltshire Museum has beautiful gold items from the time of Stonehenge, some of my other favourites items on display are these exquisitely worked bronze age arrowheads.
Salisbury Museum’s award-winning Wessex Gallery includes the Amesbury Archer and finds from Stonehenge.
Sometimes here at the Wiltshire and Swindon History Centre, a researcher turns up with an enquiry that really captures your imagination. This happened to me last year when Cathy Fitzgerald arrived to research material for Moving Pictures, a BBC Radio 4 production inviting you to discover new details in old masterpieces:- http://www.bbc.co.uk/programmes/w3cswf9g This link will allow you to listen to the programme produced and review the image of this wonderful coverlet that the V & A hold in their textile collections.
The coverlet was acquired from Kerry Taylor Auctions with the support of the Contributing and Life Members of the Friends of the V & A and was made in Wiltshire in 1820 by a lady called Ann West. Kerry Taylor of Kerry Taylor Auctions, specialists in textiles, describes the moment of arrival when a gentleman delivered it covered and wrapped in a large flannelette sheet, which when unpacked revealed this large 2.5m square bed cover; a real ‘tour de force’, colourful, vibrant and packed with pictorial images that draw you in and begin to tell a story.
It is wool appliqué and patchwork, with embroidery worked into the surface and is a valuable primary source in a pictorial sense giving a snapshot of life in Wiltshire around 1820, focusing on the everyday and depicting various trades, professions and social events that were part of day to day life.
The images and especially the centre panel depict biblical references, such as the Garden of Eden, David and Goliath and Moses being hidden in the bulrushes. The outer images give a taste of rural Wiltshire life, so have a closer look to see what you can find.
The reason for Cathy’s visit to the history centre was to research Ann West herself. There is a possibility that she may have come from Chippenham as a Milliner’s and Drapers is listed in Pigot’s Directory of 1830 and 1842 in the name of Ann West, but this connection cannot be confirmed. There is also a possibility that she came from the Warminster area, but again, nothing has yet been confirmed. However, the cloth she chose to use is absolutely typical of West of England textiles and lends itself perfectly to this type of appliqué work. We hold some good examples of cloth pattern books from the Collier family and Crosby and White of Bitham Mill, Westbury, and these show exactly the types of fabric used in the coverlet; strong woollen cloths, typical of the West of England and produced in a wide selection of colours. These would have been dyed with natural materials as chemical dyestuffs were not in use until synthetic dyes were developed in the mid-19th century, specifically William Perkin’s mauveine in 1856. The coverlet is also hand sewn; sewing machines c1820 were still in the early stages of development and not generally in domestic use until mid-19th century. You can begin to imagine the time it would have taken to produce such a piece.
What can the quilt tell us about life at this time in Wiltshire?