Category

Conservation

2311, 2021

A New Start with a New Placement

By |23 November 2021|Blog, Conservation, History Centre|

Hiya! I’m Sejal and I’m a trainee conservator doing my placement with the Wiltshire Conservation and Museum Advisory Service. I’m excited to start my professional work here and I am looking forward to some amazing projects.

A woman with red hair wearing a face covering stands next to a museum cabinet with 4 skulls and two knapped tools
Showing off my last big project; some anatomical skull models for the Durham Museum of Archaeology

My placement is part of my master’s degree in object conservation at Durham University. My background is primarily based in archaeology and I’ve been on several excavations, but I’ve always gravitated more towards lab work than field work. For my undergraduate dissertation, I spent a month in Portugal, helping sort through discarded ceramics from a seventeenth century kiln. It was like trying to put 100 jigsaw puzzles together at once, but you only have about 75% of the pieces.

A table covered with pottery bowls and plates, some mostly incomplete all with fragments taped together
A nearly complete set of 18th century tablewares from a kiln waste site in Portugal

I’m originally from the United States and have spent the last four years up north for my studies, so I haven’t spent much time in the southwest of the UK. So, I’m very excited to explore the region and the rich prehistory and history it holds. I also hope to visit a lot of local museums and work with a variety of institutions whilst I’m here.

411, 2021

Conservation of Lydiard House Church Model

By |4 November 2021|Blog, Conservation, History Centre|

Two black-and-white close-up images of a model of a church
Image: St. Mary’s Church Model Prior to Restoration in the 1970s

Just behind the Lydiard house in Swindon, you will find the small parish church of St. Mary's, Lydiard Tregoze, which dates back to the 12th century. In the 1840s a model of the church was commissioned perfectly depicting the architecture, interior and grounds.

In the 1970s a large amount of restoration was carried out on the model, predominately on the graveyard area, removing a lot of original details.

Two colour images of a small wooden model of church on a green model graveyard
Image: The Church Model before treatment at CMAS

Having been in storage for a long time, the model came to the Conservation and Museums Advisory Service (CMAS) to have conservation treatment undertaken before going back on display. Large cracks had appeared in the base of the model and some of the 1970s additions had deteriorated badly. Some of the architectural details were also missing with a general layer of dust on the surface.

The main challenges carrying out treatment on this object were:

Mix of different materials used: This included the plaster base, wood structure of the building, painted interior features and paper and card railings and details.

Ethical considerations: The client was keen to remove the 1970s trees that had badly deteriorated in the graveyard area and replace missing wood features on the building. Generally in conservation, we try to preserve as much historical information on an object as we can. We justified the removal of the trees as these were not original to the 1840s model and were so badly deteriorated they were unsalvageable. The addition of the wooden components was to improve the aesthetic appearance of the model and detailed records will help distinguish between what is old and new.

Condition: The model was very delicate so extreme patience and dexterity would be needed.

209, 2021

Conservation of the Radstock Jubilee Drum

By |2 September 2021|Blog, Conservation, History Centre, Museums|

4 images of side-view of a colourful but tatty drum
Photo 1: Radstock Jubilee Drum Before Treatment

The Conservation and Museums Advisory Service (CMAS) is based at the Wiltshire and Swindon History Centre in Chippenham. We preserve the Wiltshire and Swindon Archives and provide support to museums, heritage organisations and individuals to care for and conserve historic collections and meet professional standards.

Close-up of side of drum with red, black and white striped paint on wooden body
Photo 2: Detail of painted surface before treatment

According to the UK’s professional conservation body the Institute of Conservation:

‘The purpose of all conservation is to facilitate the public’s access to and enjoyment of our cultural heritage. It helps us understand ourselves and our future by preserving our past.’

So, when a marching band drum from Radstock Museum recently came into the object conservation studio at CMAS, we had to think about how to preserve the history of the object in the best way.

The drum was from the Radstock Jubilee and much of the original paint had cracked and lifted from the surface. There were already large areas of loss, but the main text on the drum remained. It was not the intention for the drum to be used again, instead the Museum planned to place it on display. In discuss with the Museum it was decided that it would be most ethically appropriate to preserve the remaining paint to show the history and use of the object.

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